Pierre Eghdami is a composer of instrumental and electroacoustic music, and an educator currently affiliated with the University of California. His work explores an integrative analytical-compositional framework centred on the Morphogenesis, Morphology, Morphodynamics, and Kinematics of Sound (MMMK). Drawing on informatics/computer science object-oriented technology, the framework conceptualises sound as an energetic, temporally persistent, multiscale process-object and examines how sonic forms emerge, maintain states, acquire perceptual shape, undergo mutation and transmutation, and articulate gesture and movement through time, space, and perceptual feature-space. His artistic research is shaped by the interplay of sound, technological mediation, and auditory perception, emphasising the recursive agency of sound transformation in compositional decision-making. His works have been programmed throughout Europe, North America, South America, and Asia at numerous international festivals, and he has received multiple awards, grants and scholarships in both Europe and the United States. His academic background includes Hochschule für Musik Carl Maria von Weber Dresden, Hochschule für Musik und Theater »Felix Mendelssohn Bartholdy« Leipzig, Bauhaus-Universität Weimar, and University of California.