Writing Samples

Reflection on Helmut Lachenmann's Klangtypen   [short excerpt]

A few notes on Curtis Roads   [short excerpt]

A few notes on Agostino Di Scipio   [short excerpt]

Perspectives on sound transformation in compositional practice [short excerpt]

Theoretical framework for sound transformation across technological, somatic, and perceptual–cognitive domains [short excerpt]

A few notes on Natasha Barrett   [short excerpt]

A few notes on Annette Vande Gorne’s Treatise on writing acousmatic music on fixed media   [short excerpt]

A few notes on George Lewis   [short excerpt]

Apropos of Heedlessness and Negligence: An Analytical Study of Abel Decaux's Clair de Lune No. 1   [short excerpt]

An historical case study of coalescence of acoustic and electroacoustic sonic materials in Luigi Nono's A Pierre. Dell’azzurro silenzio, inquietum   [short excerpt]

An essay on time stretching: the technological developments of time stretching and Its impact on music composition   [short excerpt]

Expanding symmetry and self-similarity as a generative module: a succinct analytical study of Horacio Vaggione's Fractal C    [short excerpt]

A Succinct approach to Henri Dutilleux's String Quartet   [short excerpt]

Musical Atomisation: a few notes on Stockhausen’s notion of atomisation   [short excerpt]

A succinct reflection on form and matter in Fure's Bound to the Bow    [short excerpt]

Sound Transformation and Theories of Technology   [short excerpt]

On Polansky’s morphological mutation: a formal framework for distance, similarity and algorithmic similarity   [short excerpt]

Die Musik des Klaus K. Hübler   [short excerpt]